I have retired from making pottery and have sold my studio equipment. I am looking forward to concentrating on my web design business which has been growing over the last 10 years. My hands, shoulders and back are tired, and the web design will be easier to manage as I go forward. My web design site is jboyerdesign.com
I've reworked this website to show how my studio was set up and what I used to make. Maybe it will be useful to new potters as they try to figure out how to start a business!
Here's the artist's statement I used for decades. It started with an email responding to a Clayart query asking members to tell the group why they were potters:
Artist's Statement from Clayart Post
I felt this way for most of my career and feel very lucky:
"Why am I a potter? I've been a full time production potter for over 25 years. I tried throwing pots during my first year at Goddard College in 1972 and had to drop everything else from that moment on. The college also provided a structure in which I could do an apprenticeship in a production studio for almost a year. That gave me a real feeling for what a life in clay would be like.
I got married to Tony the same summer I graduated and we bought land and built a house and studio. Starting the studio and a family at the same time was a challenge, but we all survived. I've been married to Tony for 30 years and we've raised 2 children who are a joy. And no, the kids aren't potters!
Now I'm watching a lot of my friends having career crises: quitting jobs, reassessing, going back to school, switching careers. I wonder what's wrong with me? Why do I still get the chills when picking up a particularly chubby soup bowl. Why is there so much pleasure in the feel of leather hard clay after all these years? It still feels good.
People buy what I make and tell me how much they appreciate it. I love designing: studios, kilns, glazes, forms, show displays, brochures, web pages, price lists, ware racks, all of it. Pot making is active and tiring. Challenging to the mind and body in a nice balance. And I can go bike riding on a beautiful day because the geese are flying: no one disapproves.
I like potters, red hot kilns, equipment catalogues, pots of the present and past. There's a finger mark, a little handle crack, an iron spot that ties me to the makers. No career crisis here. Of course there's the time after the holidays when I'm ready to work in a book store, happy to never touch clay again. But that feeling passes every time."